“Newspapers” Items

SND European Workshop

One of the most unusual and fun workshops that I have participated in was a tour of four European cities on behalf of the Society of Newspaper Design in 1993. Between May 7 and 15, six designers and editors gave workshops on design, photography, infographics and more to 300 participants from almost 20 different countries. Among the cities visited  by Andrew Chapin, Juan Antonio Giner, Bill Ostendorf, Norvall Skreien, Deborah Withey and myself were Stockholm, Hamburg, Zurich and La Coruna [Spain].  Here’s what Bill wrote for an SND publication:

The EFS, patterned after SND’s suc­cessful Quick Course programs in North America, drew warm and enthusiastic responses from audiences dominated by top editors. Most attendees had never heard of SND before attending one of the workshops, but afterwards many wanted to join, help establish chapters and spon­sor more SND events in their countries.

…

“Everyone was very interested in what SND has to offer. And they were very pleased with our decision to bring our biggest workshop to Europe in 1995,” said Howard Finberg.

He added that now is the ideal time to foster better design in Europe. ”While there are pockets of very good design in Europe, there are also a lot of areas that are just on the verge of the kind of design revolution that swept the U.S. in the ’70s and ’80s. While we were in Germany, you could feel that same sense of excitement when you talked to editors who saw the need for attracting new readers.”

The full article is here.

 

Joining the Chicago Tribune

I joined the Chicago Tribune as a copy reader sometime during the week of June 4, 1972.  I’m not trying to be  vague about the actual start date, I just don’t remember. However, I do have my “hire letter” from Harold E. Hutchings, executive editor:

“This confirms that, as stated in our telephone conversation today, we will start you at $230 per week and that you will be ready for work on June 4, 1972. Since this is a Sunday, it well may be that you will not be scheduled in until June 5. We can settle that matter when you reach the city.”

A weekly salary of $230 is about $12,000 a year in 1972 dollars; in 2021 dollars, that’s about $75,000. Pretty nice for my almost first job. It actually was my second job as I was working at the SF Examiner at the time. I had two years of experience. That’s not a lot, I realized.

Sidebar: Give the time difference between Chicago and that I was working the morning shift at the SF Examiner, Hutchings had to send an airmail, special delivery letter asking me to give him a call. I got the letter and called him the same day. And the rest is, as they say, history.

Presstine Magazine Covers 2000 Design Project

The industry publication Presstime covered the results of the API’s design seminar in its October, 1988 edition. The article’s lede:

Two dozen movers and shakers in the field of newspaper design pondered the substance and form of 21st century newspapers at the American Press Institute’s annual J. Montgomery Curtis Memorial Seminar.

The round-table seminar, conducted at the institute in Reston, Va., Sept. 11-13, used as a focal point hypothetical front pages dated 2000 and beyond that were designed by participants and posted on the walls of the seminar room.

Ironic, isn’t it: “posted on the walls…”

I got a mention for my presentation on the future of graphics:

Howard I. Finberg, assistant managing editor of The Arizona Republic, said the overwhelming majority of editors he questioned predicted graphics will play a greater part in newspapers in the year 2000. But this priority seems to shrink when talk turns to money: The editors told Finberg they would spend 70 percent of any extra funds for reporting and editing, and only 10 percent for graphics.

Sad and not surprising.  Given the visual nature of the Internet, would newspapers be in a better position today if they had invested in something other than words? Just wondering.

Celebrating The Republic’s Centennial: How We Worked

In 1990 The Arizona Republic celebrated its 100 years — its centennial. There were many different projects that I had role in editing and/or coordinating. It was a once in a lifetime project. One of the projects involved a full page timeline [called “Paper Route”] of how a story is reported, written and edited. In addition, how do photographers and others in the newsroom work to create the still ‘daily miracle.’

Pagination and a Look Into the Future of Newspapers

In 1999 I was asked to contribute to a book about pagination being published by the Society of News Design and the Association of News Editors. You can download the entire book from here.

At the end of the article I made some “bolder, out-on-a-limb” predictions:

  • Design as a unique job function in newspapers will slowly dissolve into other editing responsibilities.
  • Editing will encompass more than the technical aspects of copy editing and take on more responsibilities for the entire infopacks.
  • Computers will automatically handle most of the routine production responsibilities, freeing editors to do lust what we have always wanted them to do – make journalistic choices on behalf of their readers and the community.
  • Most, if not all, maps and charts will be produced by software. There will be fewer artists at newspapers doing “art work.”
  • The presentation of information will be of such importance for the organization that the senior editor with such responsibilities will report to the publisher.

I like my final paragraph:

Newspapers are on the verge of freeing themselves from the limitations of their production equipment. While I would not predict the end of newsprint as we know it, the era of print-centric delivery is coming to an end. We need to look beyond technology to find the solutions to organize and motivate our workforce for the new millennium. If we are successful, this is the last pagination book you will ever read.

How Consumers Spend Their Media Day

How consumers use media has always been an interesting topic. However, it never really got the attention of those at the top of newspaper organizations.  One of the better studies was this one:

The Center for Media Design at Ball State University conducted the Middletown Media Studies in 2003-2004. These investigations tracked the ways in which ordinary Americans residing in and around Muncie engage with the many new forms of media available in the twentieth century. More details are available in the CMD Reports and White Papers listing.

Here’s a copy of a paper about the study in the International Digital Media & Arts Association Journalism from Spring 2004.

Here’s a link to Ball State’s documents about the project.

SND’s First Convention: My First Speech

The Society of News Design [at that point the group was called Newspaper Designers of America] held its first convention.  It was in Chicago, at the Tribune, Sept. 29-30, 1979. I held the newly created job of graphics editor [at that time it was titled graphics coordinator] at the newspaper.  It was a new type of job, as I was an editor, not an artist.  I worked closely with the art department to create informational graphics for the daily and Sunday pages. Tony Majeri, a founding member of the Society, invited me to describe my job to the 150 members at the convention.

The first edition of Design magazine ran my speech as an article. I still wish I had a chance to be more inclusive in my presentation. However, it does give readers an indication of the work the Tribune was doing at the time.

Here’s a link to an excerpt [PDF] of Design magazine that has two articles about the 1979 SND convention:

https://www.digitalfuturist.com/wp-content/uploads/2019/04/designmagazine_03_1980.pdf

Techno-Evangelism: Thoughts for Newsroom Leaders

Dealing with technology at The Arizona Republic, especially the introduction of new computer systems, led to a number of presentations about what I called “techno-evangelism.”  I wanted newspaper managers to pay more attention to technology and its impact upon their staff members and workflow.

Some of my key ideas, from a talk given at the Society of Newspaper Design’s 1993 convention in Dallas, were these five points:

1. Technology is an ecological issue. By itself, technology adds nothing. Its introduction changes everything.

2. A newsroom learns by example. If a newsroom manager isn’t willing to invest time or energy in understanding technology, don’t expect the staff to care.

3. The key issue about technology isn’t hardware or even software. It’s workflow. Understand the how work moves (or how you want it to move) through the newspaper and you’ll understand what technological solutions you’ll need.

4. Techno-evangelism means finding a leader who will take risks, become a teacher, shoulder responsibilities and be willing to go wandering in the “desert.”

5. Looking at history can help prepare you for the future. Understanding when there is a “paradigm” shift is important; knowing when there isn’t is even more important. Going from hot type to cold type is evolutionary; going digital is revolutionary.

I also handed out a technology adoption quiz.  Taking the quiz would identify whether you are a techno-phobe, a techno-boomer, a techno-to-go or a techno-wizard.

The slides from the presentation are here.