“SND” Items

SND European Workshop

One of the most unusual and fun workshops that I have participated in was a tour of four European cities on behalf of the Society of Newspaper Design in 1993. Between May 7 and 15, six designers and editors gave workshops on design, photography, infographics and more to 300 participants from almost 20 different countries. Among the cities visited  by Andrew Chapin, Juan Antonio Giner, Bill Ostendorf, Norvall Skreien, Deborah Withey and myself were Stockholm, Hamburg, Zurich and La Coruna [Spain].  Here’s what Bill wrote for an SND publication:

The EFS, patterned after SND’s suc­cessful Quick Course programs in North America, drew warm and enthusiastic responses from audiences dominated by top editors. Most attendees had never heard of SND before attending one of the workshops, but afterwards many wanted to join, help establish chapters and spon­sor more SND events in their countries.

…

“Everyone was very interested in what SND has to offer. And they were very pleased with our decision to bring our biggest workshop to Europe in 1995,” said Howard Finberg.

He added that now is the ideal time to foster better design in Europe. ”While there are pockets of very good design in Europe, there are also a lot of areas that are just on the verge of the kind of design revolution that swept the U.S. in the ’70s and ’80s. While we were in Germany, you could feel that same sense of excitement when you talked to editors who saw the need for attracting new readers.”

The full article is here.

 

Having Fun at SND Conference

At the 1990 Society of News Design conference in San Jose, there was a group of pranksters who created a “SND Funnies” publication. It poked fun at SND leaders [organization and thought] and put a little humor into an all-to-serious group of designers and graphics editors. I was way too serious myself. The humor was ‘inside baseball’ and some of the folks have disappeared. Many of those whose ox was gored did have a laugh.

Named President of SND Foundation

I was appointed the first president of the newly formed SND Foundation.  We created the foundation with these goals:

The SND Foundation, incorporated in February, is the research and education arm of the Society of Newspaper Design. The primary missions of SND Foundation are:

  • To contribute, through education and research, to the newspaper design and graphics profession
  • To develop and improve the capabilities of those who currently have (or have an interest in) careers in newspaper graphics and design.

Here’s a link to the article from SND’s newsletter.

Pagination and a Look Into the Future of Newspapers

In 1999 I was asked to contribute to a book about pagination being published by the Society of News Design and the Association of News Editors. You can download the entire book from here.

At the end of the article I made some “bolder, out-on-a-limb” predictions:

  • Design as a unique job function in newspapers will slowly dissolve into other editing responsibilities.
  • Editing will encompass more than the technical aspects of copy editing and take on more responsibilities for the entire infopacks.
  • Computers will automatically handle most of the routine production responsibilities, freeing editors to do lust what we have always wanted them to do – make journalistic choices on behalf of their readers and the community.
  • Most, if not all, maps and charts will be produced by software. There will be fewer artists at newspapers doing “art work.”
  • The presentation of information will be of such importance for the organization that the senior editor with such responsibilities will report to the publisher.

I like my final paragraph:

Newspapers are on the verge of freeing themselves from the limitations of their production equipment. While I would not predict the end of newsprint as we know it, the era of print-centric delivery is coming to an end. We need to look beyond technology to find the solutions to organize and motivate our workforce for the new millennium. If we are successful, this is the last pagination book you will ever read.

Technology and Pagination

In 1999 the Society for News Design and the American Society of Newspaper Editors published a book about how managers could more successfully integrate new technologies into their newsrooms.  This project include a number of chapters from the leading technologists in the newspaper industry, including:

  • David M. Cole
  • Heidi de Laubenfels
  • Olivia Casey
  • Ed Kohorst

While pagination, strictly speaking, is an outdated technology, the concepts about workflow and organization are still very valid. 

I wrote about Embracing Change when it came to future technologies. There were a few things I got right:

  • Working at home, even doing newspaper design
  • Always connected to a network
  • Using databases to edit and present content
  • Constant feedback on what consumers are reading

SND’s First Convention: My First Speech

The Society of News Design [at that point the group was called Newspaper Designers of America] held its first convention.  It was in Chicago, at the Tribune, Sept. 29-30, 1979. I held the newly created job of graphics editor [at that time it was titled graphics coordinator] at the newspaper.  It was a new type of job, as I was an editor, not an artist.  I worked closely with the art department to create informational graphics for the daily and Sunday pages. Tony Majeri, a founding member of the Society, invited me to describe my job to the 150 members at the convention.

The first edition of Design magazine ran my speech as an article. I still wish I had a chance to be more inclusive in my presentation. However, it does give readers an indication of the work the Tribune was doing at the time.

Here’s a link to an excerpt [PDF] of Design magazine that has two articles about the 1979 SND convention:

https://www.digitalfuturist.com/wp-content/uploads/2019/04/designmagazine_03_1980.pdf

Creating a Foundation to Support SND

One of the challenges of any journalism association is funding.  Not just year-to-year funding but long-term support.  In 1992 SND created the Society of Newspaper Design Foundation to become the research and educational arm of the society. I was named the foundation’s first president. It was my first attempt at non-profit fund-raising.

Beginning in 1993, some educational programs currently conducted by SND will be transferred to SND Foundation. Among those initially targeted to become Foundation projects: The Directory of Newspaper Graphics and Design Internships, Research Grant program, Travel Grant program and the Student Awards for Excellence in Newspaper Graphics and Design.

We didn’t do as much as we dreamed, but it was a start and the foundation continues today.

 

The Graphics Editor Takes Charge

The Washington Journalism Review ran a story about how newspapers were turning to graphics [and graphics editors] to give readers new ways of getting information.  The late 1980s and early 1990s were exciting time for graphics editors, thanks in part to the influences of USA Today and the Chicago Tribune.

Improved presentation of information is clearly a response to market demand. At the most successful papers, graphics are grounded in journalism and not in decorative arts. Content, not design, comes first, graphics editors say.

One of the article’s authors, James K. Gentry, interviewed me for the article and I ended up being the lead for the story.  That is pretty heady stuff, even for me.

In 1974 assistant picture editor Howard Finberg took on the task of making the Chicago Tribune more visually appealing. “I was clearing the field of rocks and stumps,” he says of his pioneering position as graphics editor. “I don’t think anybody else was doing anything remotely similar at the time.”

Top management wanted more visual awareness from the newsroom staff. Finberg says they accomplished this through “daily evangelizing.” He wrote his job description as he went along. A good deal of what evolved was acting as liaison between the newsroom and art department.

What interests me about the article 30 years later is how the newspaper graphics editor job was a catalyst for change.  Graphics editors were the change agents in many newsroom.  Today, change agents, if there any left, are working in online departments.

Graphics have mostly disappeared in today’s newspapers — victims of lack of space, fewer artists and, perhaps, the disappearance of the graphics editors job.  Gentry and his co-author, Barbara Zang, conducted a survey of newspapers about the graphics editor role in newsrooms.  It would be interesting to do another survey to see what remains of the “informational graphics revolution.”

Gentry and Zang concluded the article with an interesting observation about management:

Redefinition of the manner in which news is presented will demand newsroom managers who can function in a constantly changing environment. “The better managers adapt, the others don’t,” says Dave Doucette of the Salinas Californian. “The success of managers, of papers, means the ability to change.”

Finberg, the self-proclaimed old man of graphics editors. says the next wave of graphics editors must be able to edit tighter and make decisions faster. “We have to make the best use of finite space,” he says. “Maybe a whole new type of editor is needed for the future.”

I guess we still need that new type of editor.

Chicago Tribune Launches Graphics Service

The launch of the Chicago Tribune Graphics Service [CTGS] provided an opportunity to learn about customer service and satisfaction.  With real money on the line and a desire to grow the number of clients, thinking beyond the Tribune’s own graphics propelled me into a touch of entrepreneurial journalism. It was my first “start-up” experience.

The graphic service is sold to daily newspapers across the country. The graphics all are illustrations that appeared in the Tribune, They are sold  through the Tribune Company Syndicate lnc. (formerly the Chicago Tribune-New York News).

Each week we would select 12 to 20 graphics that would be printed on slick paper that aided reproduction and express mailed to clients. In the first nine months of the service, the newspaper and the syndicate split $60,000 in revenue [$150,000 in 2013].

The in-house publication of the Tribune, the Little Trib, did a nice story about the CTGS.  I liked how they named the graphics desk staff.

But the early success came from hard work — from all those involved in the service: in the city newsroom, Finberg, Kathleen Naureckas, day graphics coordinator, and Marty Fischer, night graphics  coordinator, now had to consider not only which graphics would be best for the Tribune, but also be alert to which graphics should go into the package to subscribers.

Editor’s note: The timeline entry is taken from an article published in September, 1981. The timeline date refers to the launch of CTGS.

Pagination: ASNE Asks the Experts

In the mid- 1990s, pagination was the hot topic for editors.  Most newspapers were starting on their journey to digitally produce the newspapers via computer terminals.  The American Society of Newspaper Editors {ASNE] and the Society of Newspaper Design [SND] collaborated on a project to help newsrooms deal with pagination issues.  I was one of a dozen experts who answered questions for a special report.